This about wraps it up for my awards gallop until the Emmys in September. While I had a stellar 2003, the Globes kicked my ass in January, and I'm feeling a little pummeled.
Best Picture
To see anything but "Rings" would be shocking. This was pre-ordained in 2001 - providing Jackson didn't screw up the latter two, his reward was coming.
Best Director
To see anything but Jackson would be shocking. This was pre-ordained in 2001 - providing Jackson didn't screw up the latter two, his reward was coming. (Echo, echo...)
Best Actor
This is probably the tightest major race in years: Penn came out with an early lead and has been more visible and charming than usual. Many feel his time is now.
The same could also be said for Murray, who has delivered countless excellent performances in his career, but has gone largely unrecognized as the Academy usually ignores comedic actors. (Ironic, considering how difficult it is to be funny.) Picking up the Golden Globe certainly increased his momentum. As with Penn, I think voters see a more relaxed and accomplished actor.
Depp's odds have see-sawed in the wake of his shocking win at the SAGs last weekend. Coming off of that, it wouldn't be totally impossible to see him win here, but I simply don't think his is the type of performance that cries for gold. He was in a movie based on a theme park ride, for God's sake. SAG members may have believed that Depp had zero chance on Sunday and wished to recognize him in their own way.
In the end, I think it's Murray by a hair.
Best Actress
JCambert has certainly opened my eyes to the possibilities of Keisha-Castle Hughes. The Academy loves young women, and apparently young women from New Zealand, as Anna Pacquin won for her role in the "Piano" in 1993.
But how much acting skill can be attributed to a 13 year old and how much of it is attributible to the direction she took? I think voters - industry veterans all - realize the limits of child actors and know when to tow the line.
Yes, Pacquin won - but she was nommed in Supporting Actress, and NONE of her competition that year was even remotely as fierce as Charlize Theron. And yes, Tatum O'Neal won eons ago, but her father cut a striking figure at the time.
Theron dived right into a cliche', packed on the pounds, painted her teeth yellow, and distanced herself as far as humanly possible to her true persona. That kind of broad, brazen transformation is Oscar catnip.
I believe Theron is a justifiable favorite here.
Best Supporting Actress
More of a wide-open race than people think. This is Zellweger's third nomination in as many years but "Cold Mountain" left everyone underwhelmed. Shoreh Aghdashloo could satisfy Oscar's need to embrace foreign talent.
Best Supporting Actor
I can't imagine anyone besides Robbins taking this, especially considering Penn and "River" might drop the ball to Murray.
Best Animated Film
I question if those mindlessly chanting "Nemo" have ever even seen a commercial for its competition.
Don't get me wrong: "Nemo" should win handily, but "Triplets of Belleville" is an absolutely stunning piece of work, as handsomely hand-drawn as "Nemo" is...generated. No, I don't expect voters to do something daring here, but I have to laugh at the sheer absurdity of this prop. "Nemo" is too big to bet against, but "Belleville" is too striking to be against.
Best Cinematography
Congrats to those who got "Seabiscuit" for a song. I don't have an opinion here.
Best Documentary
It's a two-horse race between "Capturing the Friedmans" and "The Fog of War." Both are arresting works, but Errol Morris ("Fog") is an old hand at the genre, and his topic (war, the world, and us) is just too grand to be overshadowed by pedophilia. I think voters will think big here.
Best Foreign Film
"Barbarian Invasions" seems to have a huge edge, but obtuse voting criteria and release issues make this less of a sure thing than the "Rings" juggernaut.
Best Original Screenplay
"Lost in Translation" gets a nod here with Coppola. She wrote a lovely, lyrical film. Justifiable favorite.
Best Adapted Screenplay
"Seabiscuit" seems to be building a story running parallel to its subject matter: the dark horse that could. While it shot out of nowhere to claim the top slot in Best Cinematography, it didn't get shown much love elsewhere. Allegedly, it has a lot of support from within the Academy, and pundits seem to believe that "Rings" will gorge itself elsewhere. At 10-1 odds, this is - IMO - the best value play on the card. I defer to the wisdom of pundit Pete Hammond, who correctly predicted the Brody upset last year and agrees with this. Homey knows his shit.
"Mystic River" has its share of supporters as well, but it seems to be an actor's stage more than a triumph of screenwriting.
Best Song
Ugh, enough with the hobbits already. While it probably deserves the major nods, this category - like Adapted Screenplay - is a chance to acknowledge other talent at work in 2003. (My God, there WERE other movies besides "Rings!") "Into the West" and the two songs from "Cold Mountain" are nicely done, but generally unexceptional ballads. I have a hard time telling them apart.
Again, I need to give it up for "Belleville," which sounds as good as it looks: stylish, jazzy, and just beautifully executed. GOD, it's good, and shames the competition with its energy. I've listened to it endlessly, whereas I actually counted the seconds until the others ended. Faced with the inevitable "Nemo" wave, this could be a nice consolation prize.
Best of luck to everyone. In the end, I'm just not ready to nut up and throw another four-figure bankroll at the mercy of Hollywood's deranged elite.
My only bets this year are "Seabiscuit" for Best Adapted Screenplay, $200 to win $2,000.
And...
"Triplets of Belleville" for Best Song, $100 to win $800.
Enjoy. Perhaps all bettors can post their final wager sheet here for ease of reference. It's a real slog to have to go through ten pages of rants.
Best Picture
To see anything but "Rings" would be shocking. This was pre-ordained in 2001 - providing Jackson didn't screw up the latter two, his reward was coming.
Best Director
To see anything but Jackson would be shocking. This was pre-ordained in 2001 - providing Jackson didn't screw up the latter two, his reward was coming. (Echo, echo...)
Best Actor
This is probably the tightest major race in years: Penn came out with an early lead and has been more visible and charming than usual. Many feel his time is now.
The same could also be said for Murray, who has delivered countless excellent performances in his career, but has gone largely unrecognized as the Academy usually ignores comedic actors. (Ironic, considering how difficult it is to be funny.) Picking up the Golden Globe certainly increased his momentum. As with Penn, I think voters see a more relaxed and accomplished actor.
Depp's odds have see-sawed in the wake of his shocking win at the SAGs last weekend. Coming off of that, it wouldn't be totally impossible to see him win here, but I simply don't think his is the type of performance that cries for gold. He was in a movie based on a theme park ride, for God's sake. SAG members may have believed that Depp had zero chance on Sunday and wished to recognize him in their own way.
In the end, I think it's Murray by a hair.
Best Actress
JCambert has certainly opened my eyes to the possibilities of Keisha-Castle Hughes. The Academy loves young women, and apparently young women from New Zealand, as Anna Pacquin won for her role in the "Piano" in 1993.
But how much acting skill can be attributed to a 13 year old and how much of it is attributible to the direction she took? I think voters - industry veterans all - realize the limits of child actors and know when to tow the line.
Yes, Pacquin won - but she was nommed in Supporting Actress, and NONE of her competition that year was even remotely as fierce as Charlize Theron. And yes, Tatum O'Neal won eons ago, but her father cut a striking figure at the time.
Theron dived right into a cliche', packed on the pounds, painted her teeth yellow, and distanced herself as far as humanly possible to her true persona. That kind of broad, brazen transformation is Oscar catnip.
I believe Theron is a justifiable favorite here.
Best Supporting Actress
More of a wide-open race than people think. This is Zellweger's third nomination in as many years but "Cold Mountain" left everyone underwhelmed. Shoreh Aghdashloo could satisfy Oscar's need to embrace foreign talent.
Best Supporting Actor
I can't imagine anyone besides Robbins taking this, especially considering Penn and "River" might drop the ball to Murray.
Best Animated Film
I question if those mindlessly chanting "Nemo" have ever even seen a commercial for its competition.
Don't get me wrong: "Nemo" should win handily, but "Triplets of Belleville" is an absolutely stunning piece of work, as handsomely hand-drawn as "Nemo" is...generated. No, I don't expect voters to do something daring here, but I have to laugh at the sheer absurdity of this prop. "Nemo" is too big to bet against, but "Belleville" is too striking to be against.
Best Cinematography
Congrats to those who got "Seabiscuit" for a song. I don't have an opinion here.
Best Documentary
It's a two-horse race between "Capturing the Friedmans" and "The Fog of War." Both are arresting works, but Errol Morris ("Fog") is an old hand at the genre, and his topic (war, the world, and us) is just too grand to be overshadowed by pedophilia. I think voters will think big here.
Best Foreign Film
"Barbarian Invasions" seems to have a huge edge, but obtuse voting criteria and release issues make this less of a sure thing than the "Rings" juggernaut.
Best Original Screenplay
"Lost in Translation" gets a nod here with Coppola. She wrote a lovely, lyrical film. Justifiable favorite.
Best Adapted Screenplay
"Seabiscuit" seems to be building a story running parallel to its subject matter: the dark horse that could. While it shot out of nowhere to claim the top slot in Best Cinematography, it didn't get shown much love elsewhere. Allegedly, it has a lot of support from within the Academy, and pundits seem to believe that "Rings" will gorge itself elsewhere. At 10-1 odds, this is - IMO - the best value play on the card. I defer to the wisdom of pundit Pete Hammond, who correctly predicted the Brody upset last year and agrees with this. Homey knows his shit.
"Mystic River" has its share of supporters as well, but it seems to be an actor's stage more than a triumph of screenwriting.
Best Song
Ugh, enough with the hobbits already. While it probably deserves the major nods, this category - like Adapted Screenplay - is a chance to acknowledge other talent at work in 2003. (My God, there WERE other movies besides "Rings!") "Into the West" and the two songs from "Cold Mountain" are nicely done, but generally unexceptional ballads. I have a hard time telling them apart.
Again, I need to give it up for "Belleville," which sounds as good as it looks: stylish, jazzy, and just beautifully executed. GOD, it's good, and shames the competition with its energy. I've listened to it endlessly, whereas I actually counted the seconds until the others ended. Faced with the inevitable "Nemo" wave, this could be a nice consolation prize.
Best of luck to everyone. In the end, I'm just not ready to nut up and throw another four-figure bankroll at the mercy of Hollywood's deranged elite.
My only bets this year are "Seabiscuit" for Best Adapted Screenplay, $200 to win $2,000.
And...
"Triplets of Belleville" for Best Song, $100 to win $800.
Enjoy. Perhaps all bettors can post their final wager sheet here for ease of reference. It's a real slog to have to go through ten pages of rants.