9 Obama Lies about his Bio that the Media Ignored (as well as maggots like Guesser)

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Obama Made At Least 9 False Claims About His Bio That The Media Ignored

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Andrew Mark Miller
November 8, 2015 3:12 pm



The media firestorm that has erupted this past week over alleged inconsistencies in Dr. Ben Carson’s life story has been breathtakingly hypocritical. Not only is there no evidence that Carson embellished any aspect of his personal biography, this kind of scrutiny was never even remotely applied to President Obama when he was a candidate.
Here is a list of just some of the many inaccuracies in Barack Obama’s personal bio that the media never bothered to investigate.
From IJ Review:
1. “Obama’s Staff Corrects WWII Story” (New York Times)

In response to a question at a Memorial Day appearance in New Mexico, Mr. Obama said an uncle helped liberate the Nazi death camp at Auschwitz during World War II. The problem? That story didn’t track with history, considering Auschwitz was liberated by Soviet forces.
2. Selma Birth Connection (Independent Journal)

“[W]hen the president spoke before an audience in Selma back in 2007, Obama credited the civil rights march as the inspiration for his conception. The only problem with that, as conservative punditMichelle Malkin points out, is that the president was already three years old when the march occurred in 1965.”
3. “Obama Overstates Kennedys’ Role in Helping His Father” (Washington Post)

Addressing civil rights activists in Selma, Ala., a year ago, Sen. Barack Obama traced his “very existence” to the generosity of the Kennedy family, which he said paid for his Kenyan father to travel to America on a student scholarship and thus meet his Kansan mother.
The Camelot connection has become part of the mythology surrounding Obama’s bid for the Democratic presidential nomination. […]
It is a touching story — but the key details are either untrue or grossly oversimplified.
4. “Tale of British brutality toward Barack Obama’s grandfather probably untrue, book claims” (The Telegraph)

It is a harrowing tale of torture in a colonial prison in Kenya that is said to explain the President’s coolness towards Britain and even his removal of Winston Churchill’s bust from the Oval Office.
David Maraniss, the author of Mr Obama’s most comprehensive biography so far, said five associates of Hussein Onyango Obama doubt he was even jailed. One told him: “People make up stories”. […]
… Maraniss claims that while “incidents of that sort certainly happened”, it “seems unlikely” that Mr Obama’s grandfather was one such victim. “Five people who had close connections to Hussein Onyango said they doubted the story or were certain it did not happen,” he wrote in Barack Obama – The Making of the Man.
5. The heroic story of Obama’s step-grandfather dying while fighting the Dutch is untrue (New York Times)

Mr. Maraniss attributes some of the differences to the kind of family lore that is often exaggerated. He notes that the story about the death of Mr. Obama’s step-grandfather — allegedly killed while fighting Dutch troops in Indonesia — was “a concocted myth in almost all respects.” Mr. Maraniss writes that he died trying to hang drapes.
6. “Obama Lied About Mother’s Health Insurance Problem” (Commentary)

During the 2008 campaign and throughout the subsequent debate over his health care legislation, President Obama used his mother’s experience as a cancer patient fighting to get coverage to pay for treatment for what her insurer said was a pre-existing condition as an emotional argument to sway skeptics. However, a new book by New York Times reporter Janny Scott has revealed this story appears to be a fabrication.
The Times reports today (in a story buried on page 14 rather than on the front page) that during the course of researching her book, A Singular Woman: The Untold Story of Barack Obama’s Mother, Scott uncovered correspondence showing “the 1995 dispute concerned a Cigna disability insurance policy and that her actual health insurer had apparently reimbursed most of her medical expenses without argument.” In response to inquiries, “a White House spokesman chose not to dispute either Ms. Scott’s account or Mr. Obama’s memory, while arguing that Mr. Obama’s broader point remained salient.”
7. Obama makes white Occidental College classmate “Regina” into African-American aka “composite girlfriend” (Washington Times)

“During an interview in the Oval Office, Obama acknowledged that, while Genevieve was his New York girlfriend, the description in his memoir was a ‘compression’ of girlfriends, including one who followed Genevieve [Cook] when he lived in Chicago,” Mr. Maraniss wrote in the new biography.
“In ‘Dreams from My Father,’ Obama chose to emphasize a racial chasm that unavoidably separated him from the woman he described as his New York girlfriend,” wrote the author, who interviewed the woman. “None of this happened with Genevieve. She remembered going to the theater only once with Barack, and it was not to see a work by a black playwright.”
Mr. Maraniss said the president acknowledged this scene did not happen with Ms. Cook.
8. President Obama’s “improbable love” narrative (Jack Cashill)
In all the talk about David Maraniss’ new book, “Barack Obama: The Story,” the chattering classes seem to have overlooked the most significant of Maraniss’ revelations, namely that the story on which Obama based his 2008 candidacy is “received myth, not the truth.”
“My parents shared not only an improbable love,” said Obama famously in his 2004 Democratic Convention keynote, “they shared an abiding faith in the possibilities of this nation.” This concept of multicultural romance shaped his persona and his campaigns. […]
As Maraniss concedes, these two young people shared very close to nothing. “In the college life of Barack Obama in 1961 and 1962,” writes Maraniss, “as recounted by his friends and acquaintances in Honolulu, there was no Ann; there was no baby.”
Although Maraniss talked to many of Obama Sr.’s friends, none of the credible ones ever so much as saw him with Obama’s mother, Ann Dunham.
9. Obama and his mother not “abandoned” by father in 1963 (Buzzfeed)

It’s in that context that Maraniss corrects a central element of Obama’s own biography, debunking a story that Obama’s mother may well have invented: That she and her son were abandoned in Hawaii in 1963.
“It was his mother who left Hawaii first, a year earlier than his father,” Maraniss writes, confirming a story that had first surfaced in the conservative blogosphere. He suggests that “spousal abuse” prompted her flight back to Seattle.
Obama’s own fairy-tales, meanwhile, run toward Amercan [sic] racial cliché.
At least 38 false accounts of President Obama’s life story were documented in just the Maraniss biography, as counted by Buzzfeed Editor-in-Chief Ben Smith.
Additional falsehoods have been detected in Obama’s biographies, many of them apparently designed tofurther a narrative of overcoming racial adversity and an underprivileged life.
That’s weird. I don’t remember reading a story in Politico with the title “OBAMA LIED ABOUT FAMILY’S MILITARY SERVICE” or “OBAMA FABRICATES SELMA STORY”.
The double standard that the media engaged in here is stunning.
If Ben Carson enhanced his life story, that is wrong, and he should be held accountable for it so the argument here is not two wrongs make a right.
However, the media has a responsibility to search for the truth in all situations regardless of political affiliation and they failed miserably during the two times that Barack Obama ran for president.
On top of that, all indications point to the fact that Ben Carson was telling the truth and he remains largely unscathed after weeks of media scrutiny.
Bottom line, the media is terrified of Ben Carson.
 
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"At least 38 false accounts of President Obama’s life story were documented in just the Maraniss biography, as counted by Buzzfeed Editor-in-Chief Ben Smith.Additional falsehoods have been detected in Obama’s biographies, many of them apparently designed tofurther a narrative of overcoming racial adversity and an underprivileged life.
That’s weird. I don’t remember reading a story in Politico with the title “OBAMA LIED ABOUT FAMILY’S MILITARY SERVICE” or “OBAMA FABRICATES SELMA STORY”.
The double standard that the media engaged in here is stunning."
 

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Sick, racist vermin doing what sick racist vermin does. Probably beating off to Casper's picture while he does it.
 

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what difference does it make?

Zit, we all know guesser is not the sharpest tool in the shed, and no matter how much you prove he's wrong he'll always remain in denial

facts? what difference does it make? a lying racist is a lying racist

and you'll never win an argument with a cement wall, just ain't happening

go stand in your garage, yell at the walls as loud as you can, and then give it all the knowledge in the world, tell me if the garage wall changes

that my friend, is like having a discussion with guesser, going nowhere

if you're serious in your attempt to reach him, you'll only be disappointed
 
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what difference does it make?

Zit, we all know guesser is not the sharpest tool in the shed, and no matter how much you prove he's wrong he'll always remain in denial

facts? what difference does it make? a lying racist is a lying racist

and you'll never win an argument with a cement wall, just ain't happening

go stand in your garage, yell at the walls as loud as you can, and then give it all the knowledge in the world, tell me if the garage wall changes

that my friend, is like having a discussion with guesser, going nowhere

if you're serious in your attempt to reach him, you'll only be disappointed

Agreed Willie, I really shouldn't waste my time with the gutter scum.
 

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Yeah, Obama says Selma convinced his parents to conceive him, no such thing happened, and mysteriously no enterprising reporter decided to scour his book and look for inconsistencies.

Never mind that Hillary! lied about trying to join the USMC and Nasa.

Just utterly disgusting.
 

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SHOCK CONFESSION: Bill Ayers Reveals He Is Author Of “Dreams From My Father” in Latest Book

Gateway Guest Blogger Nov 20th, 2013 6:34 pm 209 Comments

Guest Post by Mara Zebest

Bill Ayers Reportedly Reveals He Is Author Of “Dreams From My Father” in Latest Book

Flashback to 2011: Author Jack Cashill documented his thesis in “Deconstructing Obama.”

Cashill explains that Obama does not possess the understanding or skills to author “Dreams From My Father”—however—the book writing style is remarkably similar to other works from Bill Ayers. Jack Cashill offers a full and fascinating discussion (along with a Q&A) on the topic at this C-SPAN video link.

A short montage video of the controversy below:
 

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At least Ben Carson writes his own books...

Who Wrote Dreams From My Father?

By Jack Cashill

Prior to 1990, when Barack Obama contracted to write Dreams From My Father, he had written very close to nothing. Then, five years later, this untested 33 year-old produced what Time Magazine has called -- with a straight face --"the best-written memoir ever produced by an American politician."

The public is asked to believe Obama wrote Dreams From My Father on his own, almost as though he were some sort of literary idiot savant. I do not buy this canard for a minute, not at all. Writing is as much a craft as, say, golf. To put this in perspective, imagine if a friend played a few rounds in the high 90s and then a few years later, without further practice, made the PGA Tour. It doesn't happen.

And yet, given the biases of the literary establishment, no reviewer of note has so much as questioned Obama's role in the writing, then or now. As the New York Times gushed, Obama was "that rare politician who can write . . . and write movingly and genuinely about himself." These accolades matter all the more because Obama has built his political persona around his presumably superior intellect, Dreams being exhibit A.

Shy of a confession by those involved, I will not be able to prove conclusively that Obama did not write this book. As shall be seen, however, there are only two real possibilities: one is that Obama experienced a near miraculous turnaround in his literary abilities; the second is that he had major editorial help, up to and including a ghostwriter.

The weight of the evidence overwhelming favors the latter conclusion and strongly suggests who that ghostwriter is. In that this remains something of a work in progress, I am willing to test my hypothesis against any standard of proof and appreciate any and all good leads.

In my career in advertising and publishing, I have reviewed the portfolios of a thousand professional writers, all of them crowded with writing samples, but only a handful of these writers would have been capable of having a written a book as stylish as Dreams. I have also written a book on intellectual fraud, Hoodwinked, and examined any number of bogus biographies that excited the literary left to the point of complicity, Edward Said's and Rigoberta Menchu's prominent among them, Menchu winning a Nobel Prize for hers. Obama's ascent seems to follow a century-old pattern.

Tracing Obama's literary ascent is complicated by what Politico.com calls a "scant paper trail." That trail begins at Occidental College whose literary magazine published two of Obama's poems -- "Pop" and "Underground" -- in 1981. Obama calls it some "very bad poetry," and he does not sell himself short. From "Underground":

Under water grottos, caverns

Filled with apes

That eat figs.

Stepping on the figs

That the apes

Eat, they crunch.

The apes howl, bare

Their fangs, dance . . .


It would be another decade before Obama had anything in print and this an edited, unsigned student case comment in the Harvard Law Review unearthed by Politico. Attorneys who reviewed the piece for Politico described it as "a fairly standard example of the genre."

Of note, Politico reporters Ben Smith and Jeffrey Resner observe that "the temperate legal language doesn't display the rhetorical heights that run through his memoir, published a few years later."

Once elected president of the Harvard Law Review --more of a popularity than a literary contest -- Obama contributed not one signed word to the HLR or any other law journal. As Matthew Franck has pointed out in National Review Online, "A search of the HeinOnline database of law journals turns up exactly nothing credited to Obama in any law review anywhere at any time."

A 1990 New York Times profile on Obama's election as Harvard's first black president caught the eye of agent Jane Dystel. She persuaded Poseidon, a small imprint of Simon & Schuster, to authorize a roughly $125,000 advance for Obama's proposed memoir.

With advance in hand, Obama repaired to Chicago where he dithered. At one point, in order to finish without interruption, he and wife Michelle decamped to Bali. Obama was supposed to have finished the book within a year. Bali or not, advance or no, he could not. He was surely in way over his head.

According to a surprisingly harsh 2006 article by liberal publisher Peter Osnos, which detailed the "ruthlessness" of Obama's literary ascent, Simon & Schuster canceled the contract. Dystel did not give up. She solicited Times Book, the division of Random House at which Osnos was publisher. He met with Obama, took his word that he could finish the book, and authorized a new advance of $40,000.

Then suddenly, somehow, the muse descended on Obama and transformed him from a struggling, unschooled amateur, with no paper trail beyond an unremarkable legal note and a poem about fig-stomping apes, into a literary superstar.

To be sure, it is not unusual for successful politicians to hire ghostwriters -- John McCain gives due credit to Mark Salter for his memoir, Faith of My Fathers -- but it is highly unusual for unknown young Chicago lawyers to hire ghostwriters.

I have attempted to contact Dystel by phone and email without success. It is highly unlikely she refashioned the book, and Osnos admittedly did not. If my suspicions are correct, the ghost on this book shared many of Obama's sentiments, spoke his language and spent considerable time reworking the text.

I bought Bill Ayers' 2001 memoir, Fugitive Days, for reasons unrelated to this project. As I discovered, he writes surprisingly well and very much like "Obama." In fact, my first thought was that the two may have shared the same ghostwriter. Unlike Dreams, however, where the high style is intermittent, Fugitive Days is infused with the authorial voice in every sentence. What is more, when Ayers speaks, even off the cuff, he uses a cadence and vocabulary consistent with his memoir. One does not hear any of Dreams in Obama's casual speech.

Obama's memoir was published in June 1995. Earlier that year, Ayers helped Obama, then a junior lawyer at a minor law firm, get appointed chairman of the multi-million dollar Chicago Annenberg Challenge grant. In the fall of that same year, 1995, Ayers and his wife, Weatherwoman Bernardine Dohrn, helped blaze Obama's path to political power with a fundraiser in their Chicago home.

In short, Ayers had the means, the motive, the time, the place and the literary ability to jumpstart Obama's career. And, as Ayers had to know, a lovely memoir under Obama's belt made for a much better resume than an unfulfilled contract over his head.

For simplicity sake, I will refer to the author of Dreams as "Obama." Without question, he contributed much of the book's raw material, especially thelong-winded accounting of events and conversations, polished just well enough to pass muster. The book's fierce, succinct and tightly coiled social analysis more closely matches the style of Fugitive Days, a much tighter book.

Ayers and Obama have a good deal in common. In the way of background, both grew up in comfortable white households and have struggled to find an identity as righteous black men ever since. Just as Obama resisted "the pure and heady breeze of privilege" to which he was exposed as a child, Ayers too resisted "white skin privilege" or at least tried to.

"I also thought I was black," says Ayers only half-jokingly. As proof of his righteousness, Ayers named his first son "Malik" after the newly Islamic Malcolm X and the second son "Zayd" after Zayd Shakur, a Black Panther killed in a shootout that claimed the life of a New Jersey State Trooper.

Tellingly, Ayers, like Obama, began his career as a self-described "community organizer," Ayers in inner-city Cleveland, Obama in inner-city Chicago. In short, Ayers was fully capable of crawling inside Obama's head and relating in superior prose what the Dreams' author calls a "rage at the white world [that] needed no object."

Indeed, in Dreams, it is on the subject of black rage that Obama writes most eloquently. Phrases like "full of inarticulate resentments," "unruly maleness," "unadorned insistence on respect" and "withdrawal into a smaller and smaller coil of rage" lace the book.

In Fugitive Days, "rage" rules and in high style as well. Ayers tells of how his "rage got started" and how it evolved into an "uncontrollable rage -- fierce frenzy of fire and lava." Indeed, the Weathermen's inaugural act of mass violence was the "Days of Rage" in 1969 Chicago.

As in Chicago, that rage led Ayers to a sentiment with which Obama was altogether familiar, "audacity!" Ayers writes, "I felt the warrior rising up inside of me -- audacity and courage, righteousness, of course, and more audacity." This is one of several references.

The combination of audacity and rage has produced two memoirs that follow oddly similar rules. Ayers describes his as "a memory book," one that deliberately blurs facts and changes identities and makes no claims at history. Obama says much the same. In Dreams, some characters are composites. Some appear out of precise chronology. Names have been changed.

As a control, allow me to introduce my own book, Sucker Punch, which is no small part a memoir about race, specifically in my relationship, at great remove, with Muhammad Ali and the world of boxing. In the book, I describe my own unreconstructed coming of age in racially charged Newark, New Jersey as it happened. I change no names, create no composite characters, alter no chronologies. Most memoirs observe the same conventions. Dreams and Fugitive Days, however, are both suffused with repeated reference to lies, lying and what Ayers calls, in his pitch perfect post-modern patois, "our constructed reality."

"But another part of me knew that what I was telling them was a lie," writes Obama, "something I'd constructed from the scraps of information I'd picked up from my mother."

"That whole first year seemed like one long lie," Obama writes of his first year in college in Los Angeles, one of at least a dozen references to lies and lying in "Dreams," a figure nearly matched in "Fugitive Days."

The reader knows that Ayers -- with some justification -- has much to hide. He senses that Obama does too, but he is never quite sure why. This presumed poetic license leads to the frequent manipulation of dates to make a political point.

"I saw a dead body once, as I said, when I was ten, during the Korean War," writes Ayers. This correlation is important enough that Ayers mentions it twice. The only problem is that Ayers was eight when the Korean War ended.

Obama tells us that when he was ten, he and his family visited the mainland. On the trip, back in their motel room, they watched the Watergate Hearings on TV. The problem, of course, is that those hearing started just before Obama turned twelve.

One could forgive a single missed date, but inconsistent dates and numbers appear frequently in both books and often reinforce some moment of lost innocence. In the same spirit, both books abound in detail too closely remembered and conversations too well recorded. These moments in both books occasionally lead to an awareness of the nation's seemingly ineradicable racism.

In 1970, for instance, the 9-year-old Obama alleges to be visiting the American embassy Indonesia. While waiting, he chances upon "a collection of Life magazines neatly displayed in clear plastic binders."

In one magazine, he reads a story about a black man with an "uneven, ghostly hue," who has been rendered grotesque by a chemical treatment. "There were thousands of people like him," Obama learned, "black men and women back in America who'd undergone the same treatment in response to advertisements that promised happiness as a white person."

Obama's attention to detail is a ruse. Life never ran such an article. When challenged, Obama claimed it was Ebony. Ebony ran no such article either. Besides, black was beautiful in 1970.

In a similar vein, Ayers tells of hitching a ride in Missouri with "Bud," the driver of a "brand-new Peterbilt truck." The man proceeds to regale Ayers with a string of dirty jokes -- at least two of them retold word for word -- before reaching under his seat and pulling out a large pistol, his "N****r neutralizer."

"White people can never quite remember the scope and scale of the slavocracy," Ayers reminds the reader again and again, writing as though he were not a member of this benighted race.

These parallels intrigue perhaps, but they prove little. To add a little science to the analysis, I identified two similar "nature" passages in Obama's and Ayers' respective memoirs, the first from Fugitive Days:
"I picture the street coming alive, awakening from the fury of winter, stirred from the chilly spring night by cold glimmers of sunlight angling through the city."

The second from Dreams:
"Night now fell in midafternoon, especially when the snowstorms rolled in, boundless prairie storms that set the sky close to the ground, the city lights reflected against the clouds."

These two sentences are alike in more than their poetic sense, their length and their gracefully layered structure. They tabulate nearly identically on the Flesch Reading Ease Score (FRES), something of a standard in the field.

The "Fugitive Days" excerpt scores a 54 on reading ease and a 12th grade reading level. The "Dreams'" excerpt scores a 54.8 on reading ease and a 12th grade reading level. Scores can range from 0 to 121, so hitting a nearly exact score matters.

A more reliable data-driven way to prove authorship goes under the rubric "cusum analysis" or QSUM. This analysis begins with the measurement of sentence length, a significant and telling variable. To compare the two books, I selected thirty-sentence sequences from Dreams and Fugitive Days, each of which relates the author's entry into the world of "community organizing."

"Fugitive Days" averaged 23.13 words a sentence. "Dreams" averaged 23.36 words a sentence. By contrast, the memoir section of "Sucker Punch" averaged 15 words a sentence.

Interestingly, the 30-sentence sequence that I pulled from Obama's conventional political tract, Audacity of Hope, averages more than 29 words a sentence and clocks in with a 9th grade reading level, three levels below the earlier cited passages from "Dreams" and "Fugitive Days." The differential in the Audacity numbers should not surprise. By the time it was published in 2006, Obama was a public figure of some wealth, one who could afford editors and ghost writers.

The publisher of Dreams, the openly liberal Peter Osnos, tells how this came to be. According to Osnos, Dreams took off during Obama's much-publicized race for the U.S. Senate in 2004, nearly ten years after its modest release. After winning the election, Obama dumped his devoted long time agent, Jane Dystel, and signed a seven-figure deal with Crown, using only a by-the-hour attorney.

Obama pulled off the deal before being sworn in as Senator, this way to avoid the disclosure and reporting requirements applicable to members of Congress. To his credit, Osnos publicly scolds Obama for his "ruthlessness" and "his questionable judgment about using public service as a personal payday."

Unfortunately, the technology is not currently available to do a fully reliable authorship analysis. As expert in the field Patrick Juola of Duquesne University observed, “The accuracy simply isn't there.” He cautioned that for high stakes issues like this one, “The repercussions of a technical error could be a disaster (in either direction).”

That much said, preliminary QSUM analysis supports an Ayers-Obama link. Systems designer Ed Gold--with twenty years of high-level experience in image and signal processing, pattern recognition, and classifier design and implementation--volunteered to run a QSUM scan on multiple excerpts from both memoirs. “I have completed the analysis,” he wrote me, “and I think you will be pleased with the findings.” In assessing the signature of sample passages from Dreams, he found “a very strong match to all of the Ayers samples that I processed.”

Like Juola, Gold recognized the limitations of the process and of his own resources. He has volunteered to make the raw data available to more established authorship authentication experts, and I will be happy to pass that data along. Gold saw the complementary value, however, in text analysis, as did Juola, who encouraged me “to do what you're already doing . . . good old-fashioned literary detective work.”

Given that advice, I dug deeper into both memoirs and established one metaphoric thread that ties the two books together in a way I believe is just shy of conclusive, a thread that leads back to Bill Ayers's stint, after dropping out of college, as a merchant seaman.

"I'd thought that when I signed on that I might write an American novel about a young man at sea," says Ayers in his memoir, Fugitive Days, "but I didn't have it in me."

The experience had a powerful impact on Ayers. Years later, he would recall a nightmare he had while crossing the Atlantic, "a vision of falling overboard in the middle of the ocean and swimming as fast as I could as the ship steamed off and disappeared over the horizon."

Although Ayers has tried to put his anxious ocean-going days behind him, the language of the sea will not let him go. "I realized that no one else could ever know this singular experience," Ayers writes of his maritime adventures. Yet curiously, much of this same nautical language flows through Obama's earth-bound memoir.

"Memory sails out upon a murky sea," Ayers writes at one point. Indeed, both he and Obama are obsessed with memory and its instability. The latter writes of its breaks, its blurs, its edges, its lapses. Obama also has a fondness for the word "murky" and its aquatic usages.

"The unlucky ones drift into the murky tide of hustles and odd jobs," he writes, one of four times "murky" appears in Dreams. Ayers and Obama also speak often of waves and wind, Obama at least a dozen times on wind alone. "The wind wipes away my drowsiness, and I feel suddenly exposed," he writes in a typical passage. Both also make conspicuous use of the word "flutter."

Not surprisingly, Ayers uses "ship" as a metaphor with some frequency. Early in the book he tells us that his mother is "the captain of her own ship," not a substantial one either but "a ragged thing with fatal leaks" launched into a "sea of carelessness."

Obama too finds himself "feeling like the first mate on a sinking ship." He also makes a metaphorical reference to "a tranquil sea." More intriguing is Obama's use of the word "ragged" as an adjective as in the highly poetic "ragged air" or "ragged laughter."

Both books use "storms" and "horizons" both as metaphor and as reality. Ayers writes poetically of an "unbounded horizon," and Obama writes of "boundless prairie storms" and poetic horizons-"violet horizon," "eastern horizon," "western horizon."

Ayers often speaks of "currents" and "pockets of calm" as does Obama, who uses both as nouns as in "a menacing calm" or "against the current" or "into the current." The metaphorical use of the word "tangled" might also derive from one's nautical adventures. Ayers writes of his "tangled love affairs" and Obama of his "tangled arguments."

In Dreams, we read of the "whole panorama of life out there" and in Fugitive Days, "the whole weird panorama." Ayers writes of still another panorama, this one "an immense panorama of waste and cruelty." Obama employs the word "cruel" and its derivatives no fewer than fourteen times in Dreams.

On at least twelve occasions, Obama speaks of "despair," as in the "ocean of despair." Ayers speaks of a "deepening despair," a constant theme for him as well. Obama's "knotted, howling assertion of self" sounds like something from the pages of Jack London's "The Sea Wolf."

In Obama's defense, he did grow up in Hawaii. Still, the short Hawaii stretch of his memoir is largely silent on the island's natural appeal. Sucker Punch again offers a useful control. It makes no reference at all, metaphorical or otherwise, to ships, seas, oceans, calms, storms, wind, waves, horizons, panoramas, or to things howling, fluttering, knotted, ragged, tangled, or murky. None. And yet I have spent a good chunk of every summer of my life at the ocean.

If there is any one paragraph in Dreams that has convinced me of Ayers' involvement it is this one, in which Obama describes the Black Nationalist message:
"A steady attack on the white race... served as the ballast that could prevent the ideas of personal and communal responsibility from tipping into an ocean of despair."

As a writer, especially in the pre-Google era of Dreams, I would never have used a metaphor as specific as "ballast" unless I knew exactly what I was talking about. Seaman Ayers most surely did.


One more item of interest. In his 1997 book, A Kind and Just Parent, Bill Ayers walks the reader through his Hyde Park neighborhood and identifies the notable residents therein. Among them are Muhammad Ali, “Minister” Louis Farrakhan (of whom he writes fondly), “former mayor” Eugene Sawyer, “poets” Gwendolyn Brooks and Elizabeth Alexander, and “writer” Barack Obama.

In 1997, Obama was an obscure state senator, a lawyer, and a law school instructor with one book under his belt that had debuted two years earlier to little acclaim and lesser sales. In terms of identity, he had more in common with mayor Sawyer than poet Brooks. The “writer” identification seems forced and purposefully so, a signal perhaps to those in the know of a persona in the making that Ayers had himself helped forge.

None of this, of course, proves Ayers' authorship conclusively, but the evidence makes him a much more likely candidate than Obama to have written the best parts of Dreams.

The Obama camp could put all such speculation to rest by producing some intermediary sign of impending greatness -- a school paper, an article, a notebook, his Columbia thesis, his LSAT scores -- but Obama guards these more zealously than Saddam did his nuclear secrets. And I suspect, at the end of the day, we will pay an equally high price for Obama's concealment as Saddam's.

Jack Cashill is the author, among other books, of Hoodwinked: How Intellectual Hucksters Hijacked American Culture. He has a Ph.D. in American studies from Purdue University.

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SHOCK CONFESSION: Bill Ayers Reveals He Is Author Of “Dreams From My Father” in Latest Book

Gateway Guest Blogger Nov 20th, 2013 6:34 pm 209 Comments

Guest Post by Mara Zebest

Bill Ayers Reportedly Reveals He Is Author Of “Dreams From My Father” in Latest Book

Flashback to 2011: Author Jack Cashill documented his thesis in “Deconstructing Obama.”

Cashill explains that Obama does not possess the understanding or skills to author “Dreams From My Father”—however—the book writing style is remarkably similar to other works from Bill Ayers. Jack Cashill offers a full and fascinating discussion (along with a Q&A) on the topic at this C-SPAN video link.

A short montage video of the controversy below:

Why do you buy everything you read?

did youeven read the last part? It says none of this proves that Ayers wrote anything. You are very gullible.
 

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Ayers’ quotes that follow come from an essay of his, “Narrative Push/Narrative Pull.” The Obama quotes come from “Dreams”:

Ayers:
“The hallmark of writing in the first person is intimacy. … But in narrative the universal is revealed through the specific, the general through the particular, the essence through the unique, and necessity is revealed through contingency.”
Obama:
“And so what was a more interior, intimate effort on my part, to understand this struggle and to find my place in it, has converged with a broader public debate, a debate in which I am professionally engaged … “


Ayers:
“Narrative begins with something to say – content precedes form.”
Obama:
“I understood that I had spent much of my life trying to rewrite these stories, plugging up holes in the narrative …”


Ayers:
“Narrative inquiry can be a useful corrective to all this.”
Obama:
“Truth is usually the best corrective.”


Ayers:
“The mind works in contradiction, and honesty requires the writer to reveal disputes with herself on the page.”
Obama:
“Not because that past is particularly painful or perverse but because it speaks to those aspects of myself that resist conscious choice and that – on the surface, at least – contradict the world I now occupy.”


Ayers:
The reader must actually see the struggle. It’s a journey, not by a tourist, but by a pilgrim.
Obama:
“But all in all it was an intellectual journey that I imagined for myself, complete with maps and restpoints and a strict itinerary.”


Ayers:
“Narrative writers strive for a personal signature, but must be aware that the struggle for honesty is constant.”
Obama:
“I was engaged in a fitful interior struggle. I was trying to raise myself to be a black man in America.”


Ayers:
“But that intimacy can trap a writer into a defensive crouch, into airing grievances or self-justification.”
Obama:
“At best, these things were a refuge; at worst, a trap.”


Although I cite one example for each, “Dreams” offers many more. There are 10 “trap” references alone and nearly as many for “narrative,” “struggle” and “journey.”

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[ More Obama lies the gaystream media ignored ]


[h=1]Carson’s Right: In 2008 the Media Ignored More than 30 Lies In Obama’s Bio[/h] 556
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The Associated Press

by John Nolte9 Nov 2015669
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Carson Underfire Two Days Before GOP Debate
CBS Miami


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For just a moment, forget about how the DC Media allowed President Obama to PrettySpeech his way out of a 20 year relationship with a racist, anti-Semitic preacher. For just a moment, forget about how the DC Media ignored the bombshell that Obama lied about his relationship with a terrorist. As we watch the racially-motivated DC Media lie through omission and commission about “inaccuracies” in Ben Carson’s bio, let us never forget that during the 2008 election, this same DC Media covered up more than 30 inaccuracies in Obama’s biographies.
First off, I need to stop to ensure I give every bit of credit for this piece to Young Conservatives, a site that put this incredible list together over the weekend. Nothing below would have been possible without their fine work. Please check it out.
Prior to Obama winning the 2008 presidential election, no less than The New York Times found a lie in Obama’s biography. During a Memorial Day campaign appearance, Obama claimed an uncle of his had liberated Auschwitz during WWII. When he was called on it, Obama lied again and said it was Buchenwald. The truth was that it was Ohrdruf, a sub-camp of Buchenwald.
Another 2008 New York Times article, that was buried under a headline that had nothing to do with the falsehoods the reporter found, reported that Obama had “added some writerly touches in his memoir to make the challenges he overcame seem more dramatic.”
Finally, prior to winning the 2008 presidential election, no less than The Washington Post discovered that Obama lied about the role the Kennedy family took in helping his own family. In an effort to craft a mythological Camelot Connection, Obama falsely claimed the Kennedy family paid to for his “Kenyan father to travel to America on a student scholarship and thus meet his Kansan mother.”
Two whoppers from an inexperienced, insurgent presidential candidate running in large part on his biography.
Was the result a massive DC Media Narrative questioning Obama’s honesty?
Nope. Never happened. Not even close.
Was the result an even more intensive look into Obama’s biographical details?
Nope. In fact, quite the opposite happened. Fearing what they would discover, the DC Media stopped vetting Obama’s biography altogether. How do we know this? Because it was only after Obama was elected president that more than 30 additional inaccuracies were discovered.
I’m not asking you believe me. But you can certainly believe one of Obama’s biggest fans and protectors: BuzzFeed editor-in-chief Ben Smith. Of course this was written more than 3 years after Obama was sworn into office:
Maraniss’s Barack Obama: The Story punctures two sets of falsehoods: The family tales Obama passed on, unknowing; and the stories Obama made up. The 672-page book closes before Obama enters law school, and Maraniss has promised another volume, but by its conclusion I counted 38 instances in which the biographer convincingly disputes significant elements of Obama’s own story of his life and his family history.
Thirty-eight falsehoods. I’ll be generous and say that maybe the DC Media publicized five prior to Obama being sworn into office in January of 2009. Nevertheless, no matter how many inaccuracies were reported, there is no question that the DC Media downplayed them in a way that ensured the biographical falsehoods did the least amount of political damage.
What biographical inaccuracies of Obama’s did the DC Media choose not to disclose to us prior to 2008? Here is just a handful, again courtesy of Young Conservatives. These claims have either been proven false or cannot be verified — and that revelation came only after Obama was sworn into office:

  • Obama lied the historic civil rights march in Selma, Alabama as the inspiration for his conception.
  • A story of British Obama’s grandfather facing British brutality.
  • Obama’s claim that his heroic step-grandfather died fighting the Dutch.
  • Obama outright lied about his own mother’s health insurance problems.
  • Obama’s composite girlfriend.
  • A tale of his mother being abandoned by his father in 1963.
Is this Bright Shining Double Standard only the usual-usual political bias we see every day from the corrupted and rotting DC Media?
Nope.
It is also racial.
For hundreds of years, from slavery to segregation, Democrats have been socialized to destroy free-thinking black people who threaten their power. The DC Media is almost exclusively infested with Democrats, and therefore they see (correctly) Carson as an existential threat to their Jenga Tower national power structure. If Democrats lose even 10% of their current black vote, they are done as a national party.
For behavior that made Bill Clinton, Jesse Jackson, and Al Sharpton look like choir boys, the DC Media turned Clarence Thomas and Herman Cain into scary black sexual predators. Now, using lies and innuendo, the DC Media is in the process of organizing a high-tech lynching of Dr. Ben Carson, whose only sin is straying from The Leftwing Thought Plantation.
 

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